Be careful with your accusations, sister-in-law. They’re very serious words. They’re not accusations, they’re facts. I hired an expert. The signature on the will you presented is forged.
The lines don’t match. I’m going to report you, Gonzalo.
I’m going to make sure Ramiro gets back what you stole from him. Gonzalo walked toward her with calculated calm. And you think anyone’s going to believe you? My partner Aurelio is a prosecutor.
My connections reach all the way to the governor. Your word against mine is worthless. I have proof. Proof can disappear, and so can people.
Sara felt the weight of the threat, but she didn’t back down. You have one week to return what you stole. If you don’t, I’m going to the police.
I go to the newspapers. I go wherever necessary.
Gonzalo smiled. That cold smile Sara had learned to fear. One week, I understand. Outside the office, someone had overheard the entire conversation.
Martín Reyes, the gardener, had come to deliver some documents and had frozen behind the door. What he had just heard could cost him his life, and he was right.
The town where Martin’s mother lived was called San Jerónimo.
It was a place forgotten by time, with dirt streets and adobe houses that seemed to be held up by a miracle.
Dolores arrived after a 4-hour journey. She found Consuelo Reyes’s house at the end of an unpaved street, next to a mango tree that shaded half the patio.
Consuelo was a 75-year-old woman with a face marked by decades of hard work and recent years of pain.
She opened the door suspiciously. “What do you want?” “I’m a lawyer. I’m investigating a case involving the Fuentes family.”
I think your son Martin can help me. Her eyes filled with tears of comfort.
My son disappeared 5 years ago. The police never looked for him.
They told me he’d probably gone to another country for work, but I know something happened to him. Martín would never have abandoned me. I had contact with him before he disappeared.
Consuelo hesitated for a moment. Then she went inside and came back with a crumpled letter. This arrived three days before she disappeared. Read it yourself. Dolores took the letter with trembling hands.
Mom, if anything happens to me, I want you to know that I saw something terrible at the house where I work, something that involves very powerful people.
I can’t say more in a letter, but I’m keeping evidence in a safe place. If anyone asks, say, “You don’t know anything. I love you.”
“Where did your son Martín keep the evidence?” Dolores asked. “I don’t know, but if Martín says he has it, he has it.”
My son never lied. Dolores looked at the modest house, the empty yard, the mango tree. Martín Reyes had seen something that night. He had proof, and someone had made him disappear, so the question was, was he still alive?
In an exclusive restaurant in the city center, Gonzalo Fuentes and Judge Aurelio Sánchez were having dinner in a private room.
The tension was palpable. “That lawyer is asking too many questions,” Aurelio said as he cut his steak.
He visited the prison, spoke with the warden, went to the home where the girl is being held, and now I know he went to San Jerónimo. Gonzalo stopped eating. San Jerónimo, why would he go there?
The gardener’s mother lives there; the one who disappeared. Martín is dead.
We made sure of that. Are you sure? We never found the body. What if he talked before we reached him?
What if he left something that could incriminate us? Gonzalo felt a cold sweat run down his back. What do you suggest? Your brother’s execution is in 48 hours.
Once that happens, the case is closed for good. No one is going to reopen an investigation into a man who’s already been executed. We need those 48 hours to pass without incident.
And the lawyer Aurelio took a sip of wine.
She’s 68 and has heart problems. Accidents happen. Older people fall. She forgets to take her medication.
He has emergencies in the middle of the night. Are you suggesting anything? I’m not suggesting anything. I’m saying you have 48 hours to resolve this issue.
How you resolve this is your business. But if that woman files a lawsuit before the execution, we’ll both be down.
Gonzalo nodded slowly. He had come too far to stop now. One more death wouldn’t change anything, it would only secure his future.
Dolores arrived home exhausted. The trip to San Jerónimo had worn her out, but what she discovered was worth every kilometer.
Martín Reyes was the key. She had proof; she just needed to find him. She checked her email before going inside. Among invoices and advertising, there was a package with no return address, a heavy, padded envelope.
He opened it carefully. Inside was a drawing. A drawing made with crayons, clearly by a very young child.
It showed a house, a figure lying on the ground, and a man standing next to it.
The man was wearing a blue shirt. At the bottom, someone had written a date: 5 years ago, three days after Sara’s death.
Dolores turned the drawing over. On the back was a message written in adult handwriting. If anyone sees this, it’s too late, but if there’s still time, keep looking.
The truth is closer than you think. Mr. Martín Reyes. D
The smells made her heart beat strongly.
Martín was alive. He had kept this drawing for 5 years waiting for the right moment and now, with the execution just days away, he had decided to act.
But why send a drawing of a little girl? What was she trying to say?
She examined the drawing again, the blue shirt, the photos Carlos had shown her. Gonzalo always wore blue shirts. Salomé had drawn what she saw that night.
At the age of 3, he had created the evidence that could save his father, and someone had kept it all this time.
Dolores needed to confirm that the drawing was authentic. She contacted an old friend, Patricia Méndez, a forensic psychologist with 30 years of experience in cases of childhood trauma.
They met in Patricia’s office the next day. Time was running out.
Less than 40 hours remained. Patricia examined the drawing with a magnifying glass, taking notes. The strokes were consistent with a child between three and four years old, she said.
The pressure of the crayon, the shape of the figures, the limited perspective. This drawing is authentic. Dolores, a young child, made it. Could it represent a real trauma?
Undoubtedly, children who witness traumatic events often process them through art.
This drawing shows a violent scene, one figure on the ground, another standing in a dominant position.
The use of the color red here indicated stains on the reclining figure. It suggests that the child understood there was blood, and the man in the blue shirt is the most significant detail.
Traumatized children remember specific elements: colors, smells, sounds. If the girl drew a blue shirt, it’s because the actual abuser wore a blue shirt. That’s a sensory memory, not a fabrication.
Dolores showed the photographs of Gonzalo that Carlos had collected.
In every single one, without exception, she wore shades of blue. Ramiro Fuentes always wore dark colors, Dolores said. Black, gray, brown, never blue. Patricia nodded.
If you can prove that the girl drew this days after the event, you have psychological evidence that she saw someone other than her father commit the crime.
It’s not legal evidence on its own, but combined with other elements it could reopen the case. Exactly. Dolores carefully kept the drawing.
I had one piece of the puzzle, but I needed more. I needed to find Martin.
Carlos arrived that night with more information. He had investigated Sara Fuentes’ past and found something crucial. Sara had a close friend, Beatriz Sánchez.
They had known each other since university. According to phone records I was able to obtain, Sara spoke with Beatriz the night before she died.
A 40-minute phone call. Beatriz Sánchez, a relative of Aurelio, his cousin, but they haven’t spoken in years. There was a family fight some time ago.
Beatriz lives on the outskirts of the city. She is a retired nurse. Dolores visited Beatriz that same afternoon.
She was a 60-year-old woman who lived alone with three cats and memories of better times. Sara called me that night, Beatriz confirmed. She was scared.
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