So she interpreted.
When he bought new shirts, she told herself success required polish.
When he started wearing cologne to the office again, she told herself maybe he needed to feel like himself.
When he stopped touching her except with the careful usefulness of a nurse, she told herself maybe he was afraid of hurting her.
The worst lies are the ones love volunteers to tell.
Then Grant hired a new executive assistant.
Her name, he said, was Chloe Sinclair.
“She’s temporary,” he told Evelyn over dinner one night, loosening his tie. “Efficient, smart, keeps the trains running. Honestly, she’s saving my life.”
A week later Chloe came by the house with contracts for Grant’s signature.
She was twenty-nine, maybe thirty, with chestnut hair, expensive posture, and one of those faces that looked even better when pretending to be ordinary. She wore a camel coat, low heels, and a smile so open it almost disarmed Evelyn on sight.
“Mrs. Mercer,” Chloe said, stepping inside with a leather folder in hand. “I’m such a huge admirer of your work. I read The Winter Orchard on the train and missed my stop twice.”
“Call me Evelyn,” she said, amused despite herself.
Chloe laughed. “Only if you call me Chloe. Grant talks about you constantly.”
Grant, behind her, shifted slightly.
Evelyn noticed.
It was tiny. The kind of movement only a novelist or a wife would catch. A muscle in the jaw. A flicker in the eyes. The body adjusting before the lie caught up.
Still, Chloe was charming. She complimented the renovation without sounding patronizing. Asked real questions about Evelyn’s writing. Spoke to Rosa like Rosa was a person instead of furniture. By the time she left, Evelyn hated herself a little for feeling suspicious.
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